Friday, April 10, 2020

The Via Dolorosa and the Empty Tombs

From January 27 through February 4, 1997, my grandmother and I visited the Holy Land. I’ve never really said much about this and later I will. Today, I want to reflect on the Via Dolorosa, “The Way of Suffering,”  and the empty tomb(s). The street is pretty narrow, lines with shops, and luckily was not very crowded. It was not Friday when large groups thronged to the way carrying their crosses. Jesus would not have had to carry a 300 pound cross because it was Roman SOP for the crucified to just carry their own cross beams to the vertical beam already in place. Of course that doesn’t mean the cross beams were not torture - they weighed 100 pounds - and on a back and shoulders cut to ribbons … Jesus walked 650 yards, 594.36 meters, 1950 feet along the Via Dolorosa.

As you walk you stop at 14 stations--the literal Stations of the Cross. Nine stations are directly based on scripture, five on tradition. Stations 10-14 are inside the Church of the Holy Sepulchre which is simply amazing. To make it even more confusing is the “traditional”’ path grandma and I are taking was not formalized till the 19th century. And there is still talk the route is wrong. It would be cool to know the exact path is. But it has been over 2000 years and things like tradition and faith are difficult to change. And does it really matter. I don’t think so.

Walking on the street, breathing in the smells of exotic spices, listening to the sounds of the vendors, people praying, and the call of the muezzin, one easily forgets the modern trappings around them and sees what could have been. My grandma and I walked in silence, pausing at each station, and then entered the Church of the Holy Sepulchre. Several religious groups own property in the church: Roman Catholic, Greek Orthodox, Armenian Apostolic, Coptic Orthodox, Syriac Orthodox, and Ethiopian Orthodox. My first impression was one of total awe then confusion--where did one go? It was pretty overwhelming, in a good way. But a minister saw my deer in the headlights face and helped me. After touching Golgotha, I went to the tomb, the aedicula, entered, and lit a candle. My brain turned off and I just went through the motions walking out. I’ve put a link to a good video since I can’t really describe how it looks in there.

The last night of the tour we went to the Garden Tomb, the tomb that Protestants seem to prefer. There was no one there except our group. It was lightly snowing and very quiet. My grandma was really looking forward to being here. As we walked to the tomb I kept looking over at my 70 year old grandma and I swear she was glowing from within; she was so beautiful. You could see the magnitude of her faith; it was like a lighthouse on steroids. And then He stepped in and the radiance became overpowering.

The buildings we passed and the paving stones we walked on were not around when Jesus was alive. The real street is 30 feet down and you would need a connection in the Israel Department of Antiquities to see it. The current path of the Via Dolorosa wasn’t firmly decided till the 19th century and may be wrong. The Garden Tomb is too old to be from the days of Jesus. Did any of this matter? If you are an archaeologist, sure. But to those of faith it doesn’t matter. We were there to experience what millions of other pilgrims had--to follow the way Jesus went to his death willingly for the belief that we all must help those who need our help. It wasn’t an exercise in logic; it was to strengthen our faith; to empower us so we could fight the good fight, to care for the poor, the week, those who are in need; and that giving one's life for another, expecting nothing in return, is not only the way, but the thing a follower of Jesus does. And in the end the tomb was empty. "He is not here". Isn't that answer enough?

















Jesus Christ Superstar and Me

Why would a good charismatic pentecostal lad be King Herod in the musical Jesus Christ Superstar and be nearly naked? Typecasting-- I was the only fat weird tenor in choir. [Let me digress for a sec. JC Superstar has taken so much unnecessary heat because it does not show the resurrection. It wouldn’t since it tells Jesus’ story from the viewpoint of Judas, and imho since he dies before Jesus rose again, Judas wouldn’t have seen it, so it wouldn’t be in this musical. At least that is my take.] But the musical was not something I felt I should be getting involved in. Of course, never having heard it, I just went by what folks at church told me. Others had stronger feelings against it. So we had a minister come in to discuss issues related to it. I would say that this discussion was pivotal in allowing me to question my religious thoughts. So King Herod I would be. Little did I know how much of a narcissistic, grandiose, piece of poop I was going to have to pretend to be. “Herod’s Song” has the most disrespectful, sacrilegious, and antithetical set of lyrics in regards to Jesus a Christion can utter. The final stanza includes the words: “You’re a joke, You’re not the Lord, You’re nothing but a fraud.” At least in “Superstar” Judas is earnestly questioning Jesus where it all seems to have gone wrong. King Herod is a pompous dick. Tough part for a newly awoken Assembly of God kid. But this musical sent me on a search that continues to this day. And I did ultimately have fun.










FAQ | Jesus Christ Superstar Zone

Sunday, April 05, 2020

Handel's Messiah

It’s the Fifth Sunday of Holy Lent, and I was reflecting on a soundtrack for this time. There are tons of musical pieces based on the life of Jesus. The greatest has to be imho Handel’s Messiah. It makes its appearance most often at Christmas with only the first two parts played whilst leaving out the third part with some of the most glorious music and the best double chorus at the end Worthy is the Lamb/Amen.

I admit my bias because I am blessed to have performed Messiah playing the cello multiple times and singing once in a mega-choir with the Cedar Rapid Symphony during college. Musicians also get that tingle up their back at times playing during a concert. And I tell you that happens big time during the playing and singing of this piece.

In addition, an adult night class also had the opportunity to join me on a journey into this oratorio. Yes, they survived. :-) You tell them the story of how Handel wrote Messiah in 24 days in Dublin; Dublin loved it, London not; Handel originally used 31 instruments and 24 singers or thereabouts, and some modern performances use choirs of 3,500 people; and so on. Then you get into what the scriptures Handel used. What did the original Greek and Hebrew say? Is it “young woman or “virgin?” Is Jesus being foretold in the Old Testament texts? We had some awesome discussions.

Then the music. I listened to 20 or so versions of Messiah that Handel experts said were the best performances. They ranged from folks using period instruments, instruments that are made to be like those that existed during Handel’s time, orchestras the size Handel used, performances based on different versions, to big orchestras. I played various choruses - And the Glory of the Lord, And with His Stripes, King of Glory, And He shall purify, His yoke is easy, All We like Sheep, Halleluiah, Worthy Is the Lamb, and Amen - and compared versions. So what was the best? Whatever Messiah the individual person in class liked listening to. “Smaller” ensembles allowed one to hear all of the parts pretty clearly, were probably more what Handel intended, and how people in the Baroque interacted with music and the divine. “Larger” groups of musicians seem more “modern”, lush, and fill the edges with sound and make our images of the divine “bigger” or at least more massive; it doesn’t take much to turn it up louder :-). This doesn’t mean one is better than the other; just what you want. And what really does small and large mean anyway? Does it matter?

As we finished the class, I reminded my students to not forget Part Three. Yes, Hallelujah. But there is much more Messiah has to offer. Much more the Messiah did after the tomb if you are religious. The Amen--not an “it is finished”, not a “the end”. But, an acknowledgement, an acceptance of what has gone on before, leaving the path before one open to living and experiencing the joys discovered and the grace received. Messiah is a sheer masterpiece for the soul.

Messiah Wikipedia
https://en.wikipedia.org/wiki/Messiah_(Handel) (a great place to start)

Messiah Wiki
https://wiki.ccarh.org/wiki/Messiah

The Glorious History of Handel’s Messiah
A musical rite of the holiday season, the Baroque-era oratorio still awes listeners 250 years after the composer’s death
https://www.smithsonianmag.com/arts-culture/the-glorious-history-of-handels-messiah-148168540/

Handel Institute
Messiah (HWV 56) "A Sacred Oratorio"
Composed: London 1741—2  ·  First Performed: Dublin 1742
http://gfhandel.org/handel/messiah.html

5 Things You Might Not Know About Handel's Messiah
https://www.bsomusic.org/stories/5-things-you-might-not-know-about-handels-messiah/

10 Things You (Probably) Didn't Know About Handel's Messiah
https://oae.co.uk/10-things-you-probably-didnt-know-about-handels-messiah/

12 Reasons to Listen to Handel’s “Messiah.” If You Haven’t Listened to Handel’s Oratorio Much, Here’s Why You Should Start.
https://www.wordonfire.org/resources/blog/12-reasons-to-listen-to-handels-messiah/5969/

Handel’s Many Messiahs
http://danagioia.com/essays/film-and-music/handels-many-messiahs/

The best recordings of Handel’s Messiah
We name the recordings of this choral masterpiece that should have everyone shouting ‘Hallelujah!’
http://www.classical-music.com/article/best-recordings-handel-s-messiah

Messiah The Complete Guide
https://messiah-guide.com/index.html

Music Scores
https://imslp.org/wiki/Messiah,_HWV_56_(Handel,_George_Frideric)

Handel’s ‘Messiah’: Masterpiece Guide To The Great Oratorio
Featuring links to full version by Trevor Pinnock with the English Concert and Choir (I like Pinnock)
https://www.udiscovermusic.com/classical-features/handel-messiah-masterpiece-guide/

Handel Messiah, by Sir Colin Davis & London Symphony Orchestra 1966 (one of the biggies)
https://www.youtube.com/watch?v=r68P8TBWiIQ

Handel's Messiah Live from the Sydney Opera House (has some wow moments)
https://www.youtube.com/watch?v=bR0cEOTpYSk

G. F. Handel: Messiah HWV 56 VÁCLAV LUKS, Collegium 1704, Collegium Vocale 1704
(very nice small ensemble/period instrumentation and the conductor is a joy to watch)
https://www.youtube.com/watch?v=JH3T6YwwU9s

George F. Handel - Messiah - Staged version [complete] (interesting)
https://www.youtube.com/watch?v=3LsZpitl-cI



Wednesday, February 19, 2020

FREEDOM OF RELIGION…FOR WHOM? by Archbishop Lazar (Puhalo)

Religious entities which lobby for legislation to favour themselves or to disenfranchise others should in no way be exempt from all legislation pertaining to lobby groups, and to forfeit their tax exempt status. There is no reason why religious bodies should be exempt from laws which govern everyone else.
Generally, when religious groups lobby about “religious freedoms” anywhere in North America, they are striving to deprive others of their liberties, and want legal authority to do so.
If we were to restore school prayers, then it cannot be only Fundamentalist Christian prayers, but must include also Muslim and Jewish as well as Orthodox Christian prayers. This certainly means providing for the purification rituals of Jews and Muslims that are required of them before their prayers. It certainly must include the Orthodox version of the Lord’s Prayer and mention of the Most-Holy Theotokos.
If Christian prayers are going to be public and broadcast on the school’s intercom system, then surely in those schools where there is a Muslim minority, Muslim prayers must also the broadcast in the same manner and given equal time, otherwise we are curtailing religious freedom rather than advancing it.
We also should allow nonreligious people to exit from all classrooms where prayers are being carried on or broadcast if they wish to, otherwise we are interfering with their religious freedom—religious freedom must include freedom from religion, and honour and respect that.
We cannot allow the assertion of freedom for only one religion or a sect of one religion, while depriving the freedom of other religions or those who have no religion and do not wish to participate.
Otherwise we are simply not a democracy and have no claim to constitutional freedoms and liberties, and we can only say that we have destroyed religious freedom under the pretext of vouchsafing it.
Archbishop Lazar (Puhalo) is a retired hierarch in the Archdiocese of Canada of the Orthodox Church in America (OCA), founder of All Saints of North America Monastery in Dewdney BC, and author of On the Neurobiology of Sin.

Sunday, March 17, 2019








Why a humpback whale for my first tattoo? She is my totem animal. This beauty is the “Judy Dike” named after my mom who shared with me her love of the sea and my Aunt Dee and Uncle Larry who taught me about the creatures in the sea every time I came to California at the Monterey Aquarium. She was designed and inked by Paul Regalado, the owner of Skinhouse Tattoo Studio in Longmont, CO https://skinhousestudio.com/

The first time a whale appeared in my life was in the bathtub. I remember having a long blue whale that you put a bar of soap in and pushed around in the water.

I saw this album “Songs of the Humpback Whale” by Roger Payne (1970) when I was working as a page at the Longmont Public Library in 1977. I borrowed it and played it on one of those old portable record players with so so sound. But what I heard blew me away. 

The Iowa Premiere of “And God Created Great Whales” Symphonic Poem for Orchestra and Recorded Whale Sounds by Alan Hovhannes (1970) was in Cedar Rapids at Coe College in Sinclair Auditorium in 1982. It was performed by the Cedar Rapid’s Chamber Orchestra in which I was a cellist. This version uses the full whale voices tape Hovhannes intended and the CRCO used. https://www.youtube.com/watch?v=Too2tqNZAVc

Who could forget “Star Trek IV: The Voyage Home” (1986). George and Gracie--the humpbacks, Monterey, wessels, colorful metaphors, the crew as family. My favorite Star Trek movie and one of my favs in general.

Then came “Whales Alive” by Paul Winter and Paul Halley, Narration by Leonard Nimoy, with Voices of the Humpback Whales (1987). It has readings by my honorary grandfather Leonard Nimoy. He was a very loving and caring man. He offered to be anyone’s grandfather if the sent him a note asking, and he would say yes. He did this the in what turned out to be the last year of his life. It was just a simple thing on his part. But it really got me. Still does. I mean who does that. OK, big tangent.

Save the Whales! Letters, donations, Greenpeace, keeping it on the front page. It was a big deal. It still is a big deal! A lot of effort on hundreds of thousands of peoples parts kept the whales from going extinct. And from still going extinct.

In 1991, I was working on my Masters in Library Science on an annotated bibliography. I was so pumped and turned in my 64-page bib on whales. The profs were ok with my “exhaustive investigation” into the subject. They actually knew someone needing background info on whales for a film project and wondered if they could pass on my bib? Cool. Didn’t get the name though or if anything came of it.

Humpbacks truly became my totem animal when Patti and I spent a week in Trinity, Newfoundland during the summer of 1992 at a cetacean researcher’s bed and breakfast (he used the profits to fund his research in addition to grants). Twice a day for three hours at a time we would go out on Trinity Bay and the Atlantic in a 24-foot zodiac and spend time with the humpbacks. Not every trip were we able to find humpbacks. We also hung out with minke whales, a fin whale, puffins, some icebergs (which we got up next to and touched), and the open sea. And I decided to eat what the Humpbacks were eating--capelin, an 8-inch smelt.. So we got some in the shallows and the cook made some up for me. You eat them whole, heads, scales, innards, tails, the works. I had all we caught over two breakfasts. Actually, not too bad. One other person tried one and remarked, “Whatever you say Jeff.” Would I do it again? Absolutely.

It is hard to describe the experience sitting in a zodiac in the middle of a group of humpbacks. The whales that were curious about us swam around us, turning on their sides with an eye out of the water to look at us, came up to us waving their fins, swimming under us, blowing out their breathe in a spray of heavy droplets (that may have had an odd fishy smell but I welcomed it , spyhopping (sticking their whole heads out), tail slapping, fin slapping, then diving. The way they dive is very cool. It starts with a slight upward movement up at the base of their tail, Then the entire tail goes up with the fluke coming up last. Then it all slides down effortlessly into the water leaving a flat ring on the surface that looks like a round drop of oil. We saw whales jump out of the water. One humpback jumped out over ten times in a row. 

As we were coming back the to harbor from our final trip out, I was taking it all in. I didn’t want to leave. And I was given a gift right then. I saw two humpbacks leaping out of the water right next together at the same time. Was I meant to see it? Coincidence? Was it a goodbye? I’d like to think so.

Monday, July 01, 2013

"There are no coincidences in life. Look at your life as a series of possibly random looking events that in retrospect add up to a grand design of purpose. Each of us has a purpose in life, one that we were actually born to do. Unfortunately, the structure of life in our society tends to cause us to forget our purpose rather than encouraging us to remember and pursue it.Therefore, life often becomes a search for meaning rather than a quest to fulfill our true purpose.

Those who connect to their purpose early in life seem to be those who achieve incredible things. However, it is never too late to discover and pursue your life’s purpose. Simply ask for guidance and listen to your heart and allow it to lead you. Once you truly desire to live your purpose then you will see that the so-called coincidences that lead you closer to that purpose keep happening with increased frequency. The universe will work with you to enable you to manifest a life that is stimulating, satisfying, and making a contribution to the growing awareness of the world."
  
--Ted Murray

Sunday, June 30, 2013

it's an incredible week at ALA in Chicago. it boils down to authors. i have got two new favs. Hannah Moskowitz is a talented young author i chanced upon at a reading. i thought i was there for another author. i am so glad i was early. she is incredible. i mean i feel like a fanboy (at my age). i am not in the YA demographic. not even close. yet her presence is magical--makes me remember when i was that age and i was so intent on living (i am not so earnest now just more relaxed i reckon). i heard her read from "Teeth" which i am now devouring. got an autographed copy in which she drew me a bow-tie (i'm easily amused). i even ate out in a restaurant by myself (really) and read her book while chowing down on deep dish pizza. it gave me strength to go out, get in the middle of an extremely uncomfortable situation, and be part of the maddening crowd. my agoraphobia be damned. that's something. i just had to go to another book signing of hers for "Gone, Gone, Gone." even got my picture taken with her. i know--pretty geeky. but what can i say.

and as if it couldn't happen again. i spent 45 minutes trying to find a meeting. never did. changed the room on me and never told me. after walking around in circles (i even passed the room the meeting was in four times) i said fuck it, not worth it. so i went up to the exhibition hall and meandered around. went by the reading stage and had to stop. the author was talking about how he came to write his book and i was hooked. there was just something that compelled me to hang around and listen. Samuel Park is his name. he wrote a book based on his mother and it sounded very good. about lost love, the chances we take, and what happens if the lost love comes back into your life. what do you do? "This Burns My Heart." immediately on my list after Hannah. he autographed the book and was so nice. he accepted my praise like he never heard it before and i know he has gotten so much. i appreciate that in an artist--humility. those musicians i have had the honor to play with that are my favorite people possess this humility regarding their gifts. so excellent!